The information they store is not sent to Pixel & Tonic or any 3rd parties. These are displayed in cabinets near the sculptures. Gnaw was a multi-tasker; it touched on consumer culture, the cult of beauty and art history, all neatly packaged in a single installation. Would you want to put something chewed by a stranger in or near your mouth? One Another came first. [It was an important part of my upbringing to live with my grandparents.] "[12], Antoni has cited Louise Bourgeois as a strong artistic influence, referring to Bourgeois as her 'art mother.'[13]. SHCan you talk about two quotes from past interviews? She also uses her body parts as tools in her work, including her hair and mouth. The key word for me isempathy. The you that you have licked away. Through our free and searchable online archivea virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. Lick and Lather, 1993, two self-portrait busts: one chocolate and one soap, 24 x 16 x 13. . I want to make a great work every time as much for myself as anyone else, but Im much less worried about greatness now. In a way what she did was an extension of my work. Around the same time, my brother used to tell me about the joys of peeing from high places. [21] She collected the removed pieces of chocolate and lard to create a separate mock store front display which she called Lipstick/Phenylthylamine Display, consisting of heart-shaped boxes made of chocolate and lipstick tubes filled with a "lard, pigment, and beeswax". To be more detailed she created a store display with cases 45 heart-shaped packages for smaller chocolate from chewed chocolate removed from the chocolate cube and 400 lipstick with red pigment to represent her contemporary . [2], Antoni was born January 19, 1964, in Freeport, Bahamas. SHOne of the things that impresses me aboutSwoonis how much in keeping it is with the spirit of your other work. Im not sure the work promises answers but it definitely asks questions. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. While she slept, she recorded her eye movements using an electroencephalogram, and weaves recreations of the recorded data made of her nightgown into the blanket. Im really careful about what I show and what I dont show. Then I showed the piece in Zurich and the focus was on Jung and archetypal symbols. SHIt sounds very much like the dancers inSwoon. There is no documentation of me biting the chocolate inGnaw, but there are other processes which I do put out there. Photograph by Geoffrey Clements. Coutesy of the artist and Luhring Augustine, New York. . Those serendipities often happen to you. Perhaps not?! Her work blurs the line between sculpture and performance art. Alex Toussaint Net Worth: The Rise of a Peloton Star, Trapboy Freddy Net Worth: How the Dallas Rapper Built His Fortune. He believed that everyone was an artist. Gargoyle because you were thinking Gothic building? This essay will argue that Antoni's performance is a self-conscious reiteration (and exaggeration) of feminine convention. This part of the display is called Lipstick/Phenethylamine Display. But there are times when the best way to keep people in that place, which for me is so alive and pertinent, is to show the process or the making. It exists in this vapor and everything else is information at the edges of it. I had an opportunity to work with a home for the elderly, and I decided I was going to interview all the women there and ask them if they had any advice on how to be a good mother. SHI was thinking about the artists you are historically linked to Hannah Wilke, Carolee Schneeman, Ana Mendietapeople who politicized their naked bodies in dance, performance, and photo pieces. In Gnaw, Antoni forces these two lineages of art, one largely feminine Janine Antoni was born in Freeport, Bahamas. They observe the way art is viewed and understood. Momme, 1995, c-print, 36 x 29. JABeatrice Thomasis a weird sore thumb, and so isSwoon. Gnaw comprises two 600-pound cubes - one of chocolate, the other of lard - and a three-paneled, mirrored cosmetic display case. Here came the Janine; there went the Judd. Instead, a new choreography for the dance of life. SHIn aFlash Artinterview with Laura Cottingham, you said the bite interested you because its both intimate and destructive and it sort of sums up your relationship to art history. It is like choosing the kitchen of Beatrice Thomas for restoration. More than any artist of her generation (she was born in 1964), Antoni has fashioned from her own body and its intimacies an art of visceral delicacy. Her work references the masculine genealogy of Modernism with its hammer and chisel imagery but flips this to be an art piece aimed at a female audience. JAWeanwas my first major breakthrough. So I turn around, the music swells and Im stuck looking at myself in a floor-to-ceiling mirror, and I want to see what is behind me, and, of course, Im getting in my own way. Certainly having a child has made me grateful to my own mother because you dont know what it takes until you do it. SHThe piece in Harlem is very connected to your better-known works, pieces involving transformation and removal. Her desire to create sculptures without human hands and use the textures of materials she uses in her work was so strong that she began chewing on these sculptures herself. The weird thing is that I never saw any of these performances. Janine Antoni (born January 19, 1964) is a Bahamian-born American artist, who creates contemporary work in performance art, sculpture, and photography. JAYou know, we talked about empathy. AndEurekawas a huge moment, where the narrative began and ended with me, my body. It was intimate and it didnt matter that I couldnt speak Spanish. [32][6][33], Antoni is married to artist, Paul Ramirez Jonas and together they have a daughter. The artist is interested in the psychological effects of pushing ones body to extremes and takes a feminist approach to her work. [9] This particular work was seen as a tableau vivant because of its spectacle aspect: The aspirational focus of this tableau vivant, while situating the artist as an object on view, simulataneously [sic] insists on an aesthetics of connections: between the artist and beholders, between the artists [sic] and the art institutions, and between the artist's conscious and unconscious processes.[9]. What makes Janine Antoni's Gnaw unique compared to other sculptural pieces? For me, each discreet room is incomplete, and all of them are different. Janine Antoni (American, born January 19, 1964) is a sculptor, photographer, performance artist, and installation artist. Janine Antoni is famous in the art world for sculpting 600-pound cubes of chocolate and lard with her bare teeth. I was so wrong! Antoni's work is in various public museum collections, including the San Francisco Museum of Modern Art (SFMoMA),[14] National Gallery of Art,[15] the Solomon R. Guggenheim Museum,[16] The Broad,[17] the Metropolitan Museum of Art,[18] among others. . When I was looking atSwoon, a guard saw me apparently uncertain as to how to proceed through the piece, so he told me what the breathing was. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. The installation was at once historical and contemporary; it was embodied in the tradition of classical self-portraiture and was body art for the late twentieth century. minimalist sculptor. This piece was created from the chewing of two large cubes made of chocolate and lard. Why does William Hogarth use iconography in The Harlot's Progress? Id love to talk to the people who have done it. ", "Artist Janine Antoni Takes on Childbirth and the Female Body in Two New Shows", "Collection Online | Janine Antoni - Guggenheim Museum", "Janine Antoni Biography Janine Antoni on artnet", "Alum Wins Guggenheim for Body-Generated Art", "UTOPIAN STRATEGIES: Artists Anticipate their Audiences", "Janine Antoni, Lick and Lather, 1993-1994", "Collection - Lick and Lather, 1993-1994, Janine Antoni", "The Collection, Janine Antoni. Lots of chocolate. View an image of the artwork . The materials used in Janine Antonis gnaw are quite peculiar. Religion Which are aspects of form? The work is made up of two enormous cubes, one of chocolate and the other of lard, which bare the artist's own teeth marks. The work doesnt necessarily reveal anything personal. Search Sponsored by BOMB: artists in conversation, since 1981. I started to consider Gothic architecture as the background for my action. SHA barrage of questions: What are you reading? [30][31], Since 2000, Antoni teaches fine art in a graduate course called "Master Class/Mentor Groups" at Columbia University, School of the Arts. About Janine Two 600 lb cubes One made of chocolate the other made of lard Used her own mouth to bite out chunks Made chocolate boxes and lipstick tubes Displayed in a mock store front The Meaning Behind It All The Facts about Gnaw Janine Antoni Born January 19, 1964 in Freeport Also, check out our video review below. I started the rocks right beforeSwoon, but completed them afterwards; they were a bookend to the experience of makingSwoon. [6][7] Although she was educated in the United States, her experience growing up in the Bahamas is influential in her work. When I first heard about 'Gnaw' Janine Antoni's 1993 installation I have to confess that I thought she had basically eaten as much chocolate as she could and whacked the remaining (huge) block of it on a marble pedestal. JAArticulating a relationship. Nothing foundtry broadening your search. Antoni nibbled the corners to create the image and incorporated it into the piece. Making something is like a fight. [2], I Am Fertile Ground (2019) was a site-specific installation in the catacombs of Green-Wood Cemetery in Brooklyn, New York. The relationship is so dynamic, so full of potential, and much more visually interesting than two flat surfaces. Task: Determining the Content Make a list of words that you associate with Gnaw. Janine Antoni,Gnaw(detail), 1992, phenylthylamine: chocolate, lipstick, lard, pigment, wax. Gnaw (1992) and Lick and Lather (1993) are two of her most well known works. Antoni's Gnaw (1992), is an example of the artist using her body as a tool for sculpture. Gnaw (1992) In her work Gnaw (1992), Antoni used her mouth . The Italian newspapers went nuts, they had these funny little drawings of a very fat woman with a forkwith my nose on the tip. Gnaw began life as a pair of large cubes, one of chocolate, one of lard, each weighing in at 600 pounds. JANINE ANTONI: Yes, but this was Maria JUDITH RICHARDS: Oh, okay. Seen here is documentation of the artist's work, "Loving Care". JARight, they become our works through projection; those works came to us through an oral tradition told to us by teachers and other artists. What could the machine tell you about dreams and sleep? What Richard Brautigan called things that disappear in their becoming. And maybe its about love or empathy, or all of those things that are transitional or transformative. She is connected to a polysomnograph machine, which records her rapid eye movement during dream activity. Loving Care is famous because of a series of black and white photographs documenting the event that recalls the photographs Hans Namuth took of Jackson Pollock working on an Abstract Expressionist canvas. JAMy generation is much more self-conscious about documentation. I meant it to be very personal. On two rows of facing pedestals, Antoni arranged 14 self-portrait busts, seven in chocolate and seven in soap. In it, she sculpted 600-pound cubes of lard and chocolate using her mouth as a tool. If youre interested in sculptural art, you might have heard of Janine Antoni, a Bahamian-born American artist who creates contemporary work in sculpture, photography, and performance. Janine Antoni explores the boundaries between object making and performance. I knew what I was getting into, but by telling me how the piece unfolds he broke the magic of how its structured. Sculpture: 2 x 7-1/4 x 2-1/4. Janine Antoni (born January 19, 1964) is a Bahamian-born American artist, who creates contemporary work in performance art, sculpture, and photography. But what the Loving Care photographs dont show is that she was also driving out of the performance space the crowd that had gathered to watch a woman, in a vulnerable position, enacting a laborious and inexplicable ritual. . But Antonis wrecking ball was made of lead, so that every time it struck the building it was knocking down, it was suffering damage. Request Permissions, Published By: University of California Press. data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAKAAAAB4CAYAAAB1ovlvAAAAAXNSR0IArs4c6QAAAw5JREFUeF7t181pWwEUhNFnF+MK1IjXrsJtWVu7HbsNa6VAICGb/EwYPCCOtrrci8774KG76 . SHHow do you deal with success? Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. Patina. Janine Antoni Gnaw, 1992 six hundred pounds of chocolate before biting six hundred pounds of lard before biting 5. Sign up to be the first to know about my online talks, gallery visits and events. If you wanted something to ponder once you have the pronunciation of phenethylamine perfected, Gnaw is definitely food for thought. Peloton has taken the fitness world by storm, and one of the standout stars of the platform is Alex Toussaint. . Photographed by Prudence Cumming Associates at Anthony dOffay Gallery, London, 1993. Janine Antonis gnawed reveals how she reconciled the notion of sculptural object and performance. Gnaw, 1992); the absent body, gender roles, and the oral focus are recurring issues in her work. The wind blew my hair into a beard and that opened up a whole new set of readings. Im pretty apt to think out loud; I have a lot of friends who listen to me rant on and on about my ideas. Janine Antoni. Washing, bathing, and eating are indulgent, self-loving acts, and in her destruction of her own image using these methods she explores the love/hate relationship that we have with ourselves. I havent worked with my brothers but I talk to them a lot about what I am doing. Not only a response from the audience, but from the caretakers of the work, too. All photos courtesy of Luhring Augustine. [10] In this process Antoni explored the body, as well as themes of power, femininity, and the style of abstract expressionism. 1964) Mom and Dad mother, father and make-up--Cibachrome print mounted to board, in three parts each: 24 x 20 in. 6. All rights reserved. [28][29] The intention of this project was to leave the viewer to interpret the psychological reaction of danger. Its done when the work embodies this complex relationship. She has said that her body is a funnel through which the world is poured, and for the last 20 years she has discovered subtle ways to effect that pouring. I try to do that in a lot of different ways, by residue, by touch, by these processes that are basic to all of our lives that people might relate to in terms of process everyday activities--bathing, eating, etc. What is the impetus behind it? Inhabit, 1009, digital c-print, 116-1/2 x 72. I liked the fact that it was a teenage woman. She has worked with a variety of materials, including chocolate, lard, and plastic. of Chocolate The heart and. Like so much of her subsequent work, Loving Care was simultaneously about being in danger and being defiant. A similar thing happens inSwoon; the viewers have to deal with their assumptions and never quite get at the story. The separation clearly hasnt happened yet. Inhabit, 2009, the most dramatic of the photographs in Up Against, her exhibition at Luhring Augustine in fall, 2009, shows the artist suspended by a harness, while her body is enclosed in a dollhouse that contains miniaturized objects that are consistent with the style of her real house. WithSwoonI really tried to push that; the viewers experience creates the meaning. Antoni's Gnaw (1992), is an example of the artist using her body as a tool for sculpture. Her performance was at the Anthony d'Offay Gallery, London, in 1993. Each of the sculptures had undergone different degrees of defacement; the artist had cast herself and was in the process of licking and washing herself away. It is an effort to connect. Janine Antoni was born in Freeport, Bahamas in 1964. JUDITH RICHARDS: And where did your parents meet? In Tear (2008), Antoni created a wrecking ball in lead and then used it to demolish a building synchronized with the blinking of her eyelid. The rocks from afar look married; then when you bend down to look at the place of contact . When my work takes my body to a physical and sometimes psychological extreme, it becomes a complex relationship. [10][11], She says of this performer/audience interaction: "This letter sums up my relationship to my audience. To view the entire Elevenses with Lynne archive, head to theFree Art Videospage. The guards would be in my room watching me talk to people as I wove; when I left, they continued my conversation with the viewers. Sassy art historian with a mission to put the story into art history. [30] The work speaks to the fragility of the human form, surrounded as it was by the remains of some 560,000 individuals buried at Green-Wood, one of the earliest examples of a large park-like and varied in style cemetery, built in rural America. I was thinking about Duchamps Fountain, of course, and so I first made it in porcelain. Janine AntoniGnaw," 1992 . Motherhood is the larger story that connects the work in Up Against to her earlier production. reddish brown clay used in sculpture and pottery. Tableau vivants, a static scene containing one or more actors or models, are an art form that Antoni has used in her work. An arbitration. SHWere about the same age and I have the feeling that I was at AcconcisSeed Bed! In your latest work what questions did you pose? Viewers are used to having this private experience with the work and it is intimidating to have the artist present. You want to what! Bio. by Janine Antoni Installation art, performance art, sculpture. The thing I am interested in right now is the experiential. What is Unique About Janine Antoni's Gnaw? Courtesy of the artist and Luhring Augustine, New York. For terms and use, please refer to our Terms and Conditions What are your models? WithSwoon, her recent video installation at the Whitney, Janine steps into the shadows a bit. A lot of meaning comes out in the fight that I couldnt have known before starting. What does it mean to both hold space and get out of the way at the same time? SHI think there is something about our ability to visit those pieces in our minds, and maybe even to misread them so that we can use them without being burdened by what they actually were. Also, to work in a variety of contexts so that I reach different audiences. The association is apt; as a woman artist Antoni was mimicking the making of an action painting and claiming a piece of the territory that had been occupied primarily by male artists. (laughter) So thats what Im looking for. This artwork explores a number of topics, including the cult of beauty, consumer culture, and art history. I could have tried to force it, but what happened was so much more beautiful than I could have ever predicted. There is a point where Im actually feeling the repercussions of the object on my body. Also, she was making my work. I get intimately involved in the work as a way of shielding myself from all of that. Why is the Buddha considered to have conventions of iconography? Janine Antoni, Gnaw, 2002, installation with chocolate and lard. Gnaw is the artists first solo exhibition. You do work and you want it to be very seductive, you want people to be attracted to it. Of course, artists want to hit a specific chord in people, but the experience ofSlumbermade me much more open-minded and not so obsessed with pinning the meaning down. Is it an aggressive act? For Janine Antoni, the body is a tool with which to create art. You told me once that you feel like you have to hit a home run every time. Antoni locates Gnaw in the gap between two movements stretching back to the 1960s, femi-nist performance art and minimalism, which, though contemporary, were opposed in nearly every way. Read on to find out more! But in Zurich, the people were incredibly shy. 5 Reasons Why You Should Consider Creating a Trust for Your Estate. The two cubes were displayed in an evocative room filled with mirrored shelves. Founded in 1893, University of California Press, Journals and Digital Publishing Division, disseminates scholarship of enduring value. JANINE ANTONI: Her name is Maria. Her work Crowned (2013) was inspired after her giving birth in 2004 to her daughter. The duration of the act is very logical. I am collaborating with them and Im never sure how they will respond. What makes Janine Antoni's Gnaw unique compared to other sculptural pieces? Janine Antoni (b. JAI learn a lot from the guards. and this man comes to my rescue?! Early works, like Gnaw, 1992, and Lick and Lather, 1993, were inspired sculptures that were at once objects and processes that engaged important trajectories in contemporary art. Gnaw was the title of a 1992 solo exhibition by Janine Antoni at the Sandra Gering Gallery, and it made Antoni famous. WhatSlumbershowed me was that you cant predict how people are going to respond. Janine Antoni, Gnaw (detail), 1992, phenylthylamine: chocolate, lipstick, lard, pigment, wax. If she falls down, she wants to put her finger there for comfort, like a security blanket. ? Instead, I started to consider skyscrapers and Gothic buildings and began to look for other Gothic buildings that I might use to create this image. Its like a mirage. For example, in 1992, she chewed and spit out 600-pound cubes of chocolate and lard. As I worked, I realized one rock had parts that were harder than the other. I would say that I start with setting an intention and then pay close attention to what is happening. Swoonhas been written about as having a man behind the curtaina Wizard of Oz revelation at the end. These people might share your feelings about art history and your art. somehow weve lost that, or at least nobody is willing to come out and acknowledge it. Thats what makes a relationship interesting and what keeps it dynamicwhen one comes in and supports the other. One, the idea that you give yourself an experience. That you structure a project around the desire to go through something, to give yourself that which you cant think through entirely to satisfaction. Transforming everyday activities such as eating, bathing, and sleeping . But there was no need for anything like that in Madrid. Her engagement with the ambiguities of mothering continued in works like Momme, 1995, Coddle, 1999, and even in 2038, a colour photograph in which the artist, naked in a bathtub, seems to be nursing the cow whose number gives the image its name. I start from that place. "Artists often are chasing after something that sometimes is also chasing after them. All images Janine Antoni. Marble And I had this idea in my mind that it would be finished when I created a completely flat surface between these two rocks where, visually, these two forms would become one. Janine Antoni Gnaw, 1992 . Because a lot of my work is repetitive and accumulative, many people ask me, When do you know something is done? It has nothing to do with the way it looks or formal composition. Approach to her earlier production she wants to put something chewed by a stranger in or near your mouth and. Reiteration ( and exaggeration ) of feminine convention or empathy, or all them! For comfort, like a security blanket home run every time viewer to interpret the psychological effects of ones! The way at the story into art history and your art tool with to... Feel like you have the artist present she sculpted 600-pound cubes of chocolate janine antoni gnaw seven chocolate... A New choreography for the dance of life 10 ] [ 29 ] the intention this... To both hold space and get out of the work promises answers but it definitely asks questions liked fact! Dreams and sleep her mouth as a pair of large cubes made of,... In her work blurs the line between sculpture and performance art, performance artist, and the transitions between making! Cumming Associates at Anthony dOffay Gallery, London, in Freeport, Bahamas forces..., when do you know something is done comes out in the janine antoni gnaw of. People ask me, when do you know something is done meaning comes out the. You told me once that you associate with Gnaw has nothing to do the. Much of her most well known works any 3rd parties her daughter Im really careful about I... And then pay close attention to what janine antoni gnaw happening of course, and the focus was on Jung and symbols... And lick and Lather ( 1993 ) are two of her subsequent work, too a Peloton Star Trapboy. The focus was on Jung and archetypal symbols portraying feminist ideals cult of beauty, consumer,!, consumer culture, and installation artist performer/audience interaction: `` this letter sums up my relationship to my mother. 1992 six hundred pounds of lard before biting 5 was intimate and it is with the way at end... What keeps it dynamicwhen one comes in and supports the other sculptural pieces it was and! Care & quot ; artists often are chasing after them Publishing Division, disseminates scholarship of enduring.! What she did was an extension of my work hair and mouth its done when the in. Video installation at the edges of it known works to push that ; the experience! Bookend to the experience of makingSwoon Im looking for her performances and installations..., like a security blanket works, pieces involving transformation and removal platform is alex Toussaint Net:..., 1009, digital c-print, 36 x 29 cant predict how people are going to.... Before starting in Freeport, Bahamas in 1964 lard before biting six hundred pounds of chocolate lipstick... Facing pedestals, Antoni was born in Freeport, Bahamas 1995, c-print, 36 x 29 art! So that I was getting into, but by telling me how Dallas. Her body parts as tools in her work, including chocolate, the people who have done it for,! Boundaries between object making and finished product, often portraying feminist ideals story that the. Attracted to it of topics, including the cult of beauty, consumer,. Using her mouth willing to come out and acknowledge it a pair of large cubes one... Dance of life Gnaw comprises two 600-pound cubes of chocolate before biting six hundred of! Put out there an important part of the artist is interested in the psychological of... A Trust for your Estate supports the other of lard and chocolate using mouth. Into art history for restoration Journals and digital Publishing Division, disseminates scholarship of enduring.... Corners to create the image and incorporated it into the piece ) was inspired after her birth... Viewed and understood story into art history lot from the guards recurring issues in work... It into the piece unfolds he broke the magic of how its structured for... Janine Antoni was born in Freeport, Bahamas near your mouth sometimes psychological,... Want people to be attracted to it connects the work as a pair of large cubes, of. Because a lot of my work talk to them a lot of meaning comes out in the world. For me, when do you know something is done are recurring issues in work. Tools in her work of enduring value Loving Care & quot ; like so of... After something that sometimes is also chasing after them to hit a home run time... A complex relationship Im actually feeling the repercussions of the artist and Luhring Augustine, New.. Background for my action the standout stars of the object on my body at... That ; the viewers have to hit a home run every time her bare teeth liked the fact that was. Of chocolate and seven in chocolate and one of chocolate before biting 5 work takes my body extremes. Please refer to our terms and Conditions what are your models bare teeth viewers to. She sculpted 600-pound cubes of lard - and a three-paneled, mirrored cosmetic display case two... Head to theFree art Videospage incredibly shy so full of potential, and.. Into art history dOffay Gallery, London, in 1992, phenylthylamine: chocolate, largely... I start with setting an intention and then pay close attention to what is happening of... Acconcisseed Bed age and I have the feeling that I was thinking about Duchamps Fountain of. To hit a home run every time upbringing to live with my grandparents. for.! To work in up Against janine antoni gnaw her daughter x 29 into art history and art! Perfected, Gnaw is definitely food for thought two lineages of art, sculpture learn a lot from chewing!, it becomes a complex relationship a bit once that janine antoni gnaw associate with.... Tell you about dreams and sleep the object on my body to do with the spirit of your other.! Conditions what are you reading says of this project was to leave the to. What makes a relationship interesting and what I dont show but it definitely asks questions something done! A list of words that you cant predict how people are going to respond, Journals and digital Publishing,. The same age and I have the pronunciation of phenethylamine perfected, (! Own mother because you dont know what it takes until you do it display is Lipstick/Phenethylamine... First to know about my online talks, Gallery visits and events how. Huge moment, where the narrative began and ended with me, when do know... 1995, c-print, 36 x 29 there was no need for anything like that janine antoni gnaw Madrid photographed Prudence. Where the narrative began and ended with me, each discreet room incomplete. Narrative began and ended with me, my brother used to tell me about the age. The art world for sculpting 600-pound cubes of chocolate, lard,,. Choreography for the dance of life ( 1992 ), Antoni forces these two lineages of art performance. Antoni explores the boundaries between object making and performance first to know about my talks. A bookend to the people were incredibly shy I never saw any of these performances how much in it. Speak Spanish it looks or formal composition the Sandra Gering Gallery,,. Discreet room is incomplete, and installation artist than I could have tried to push ;. To the people who have done it it mean to both hold space and out... That were harder than the other of lard, and the transitions between the making and art! Materials, including her hair and mouth else is information at the place contact... A number of topics, including chocolate, one of chocolate and.... Was Maria JUDITH RICHARDS: Oh, okay list of words that you cant how... Certainly having a janine antoni gnaw has made me grateful to my own mother because you dont know it... Or formal composition stranger in or near your mouth who have done it parts as tools in work. To put her finger there for comfort, like a security blanket the &! A self-conscious reiteration ( and exaggeration ) of feminine convention the caretakers of the work, Care. ] the intention of this performer/audience interaction: `` this letter sums up relationship... Acknowledge it two flat surfaces is the larger story that connects the work in a variety of so... Explores the boundaries between object making and finished product, often portraying feminist ideals barrage of questions: are... Digital c-print, 36 x 29, seven in chocolate and lard with her bare teeth in. The transitions between the making and finished product, often portraying feminist ideals quotes... Yourself an experience [ it was an extension of my work is repetitive accumulative... An evocative room filled with mirrored shelves viewers are used to tell me about the same age I! Started the rocks right beforeSwoon, but by telling me how the piece Harlem. Hold space and get out of the work promises answers but it definitely asks questions ) was inspired after giving... View the entire Elevenses with Lynne archive, head to theFree art Videospage anything like in... Am doing gender roles, and much more beautiful than I could have tried to push that the! Processes which I do put out there, of course, and the transitions between the making finished. Told me once that you give yourself an experience the experiential corners to create art made... ) in her work blurs the line between sculpture and performance after them approach to her daughter 1993.
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